Drawing on auto-ethnographically documented experimental visualization practices and in conversation with critical cartography and the debates on diagrammatic reasoning in the arts, this paper argues that visualization should be considered more systematically as a method that bears self-reflexive and epistemic potential within qualitative research processes.

In diesem Beitrag wird der Fokus primär auf post- und dekoloniale Konturierungen epistemischer Gewalt gelegt. Dabei wird der Frage nachgegangen, ob und inwiefern Visualisierungen, die im Rahmen qualitativer empirischer Forschung entstehen, einen Beitrag leisten können, der Kritik zu begegnen und Gewaltverhältnisse zumindest zu reduzieren oder epistemische Gewaltverhältnisse weiter stützen.

This paper investigates the potential of comics in more-than-human geographies, arguing that graphic narratives emerge as productive tools to reveal the in_between of humans and nonhumans. It further describes an exemplary approach to a collaborative comic and how visceral or nonverbal aspects in human-animal relations can be expressed and experienced, using the empirical study of returning wolves to Switzerland.

Qualitative research in geography and visual geographies have an ambivalent relationship with maps. Reasons for this are manifold. Based on current discussions in geography and beyond, this article explores and systematizes practices of critical mapping in order to explore new connections between visual approaches of qualitative geographies and maps.