Articles | Volume 76, issue 2
https://doi.org/10.5194/gh-76-103-2021
https://doi.org/10.5194/gh-76-103-2021
Standard article
 | 
07 Apr 2021
Standard article |  | 07 Apr 2021

Obscuring representation: contemporary art biennials in Dakar and Taipei

Julie Ren

Viewed

Total article views: 838 (including HTML, PDF, and XML)
HTML PDF XML Total BibTeX EndNote
539 264 35 838 32 31
  • HTML: 539
  • PDF: 264
  • XML: 35
  • Total: 838
  • BibTeX: 32
  • EndNote: 31
Views and downloads (calculated since 07 Apr 2021)
Cumulative views and downloads (calculated since 07 Apr 2021)

Viewed (geographical distribution)

Total article views: 807 (including HTML, PDF, and XML) Thereof 807 with geography defined and 0 with unknown origin.
Country # Views %
  • 1
1
 
 
 
 
Latest update: 19 Apr 2024
Download
Short summary
There has been a proliferation of contemporary art biennials in the past 20 years, especially in cities outside of North America and Europe. This paper considers the ways that the biennial thwarts the possibility of authentic representation. The research puts the biennials in Taipei and Dakar into relational comparison, looking at the ways cultural identity is made, instrumentalized, and strategically employed.