The text explores the challenges and methods of research in repressive contexts, through the case of the Woman, Life, Freedom uprisings in Iran. Drawing on a study of post-revolutionary Iran, it discusses the production of empirical knowledge without direct presence, through digital tools and archival practices. Examining images, discourses and acts of revolt, such as unveiling, it analyzes a radical shift in collective values, affects, belongings and the relations between state and society.